Their Name Liveth For Evermore

At the eleventh hour of the eleventh day of the eleventh month

we will remember them. 



I first made a trip to the battlefields of the Somme on the Western Front of France in 1999 on a family history trip.  A highlight was a visit to the Australian National Memorial Cemetery just outside the small town of Villers Bretonneux and I'm sharing a few photos for Remembrance Day from that trip and a second one in 2009.

                                     

 

 

The architect of the beautiful buildings on the site was Sir Edwin Lutyens. Besides about 2000  graves in the memorial, the names of 10,773 soldiers of the AIF killed in action but with no known grave are listed.

 

 

 

 

 

 

 

 

The local school in Villers Bretonneux houses the Anzac Museum and a huge sign dominates the playground - Do not forget Australia.

 

 

 

Unchartered Democracy

My second edition for Book Art Object is finished and books have been posted out today to members of Group 10 (and a few friends I am exchanging books with).

I decided to work with the idea of a charter as an official written document of government as well as a contract executed between two parties - the US Government and soldiers serving on its behalf.

After the members of Group 10 have received their books in the mail, I will post some images and write about the making of the book.

Ready to go

My second book for Book Art Object is #56 Unchartered Democracy (Group 10).

 I've had the pages prepared and some heavy card I'm using cut for about the last month, but I've had other things to work on and haven't made a start putting the edition together.  However, today's the day, and I'm just about to start now.

The Simplified Binding

This fine binding style was developed by Sun Evrard in France in 1984.  Despite its name, it can be quite complex and demanding.  It differs from a traditional case binding in that the bookblock is rounded but not backed, the hollow book spine is affixed to the bookblock before the boards which are bevelled to zero at the spine side and finished before they are attached.  It is a versatile binding and can be made with clean cut edges, thus suiting a variety of cover materials.

I first learned the binding from John Tonkin of Canberra in a four day workshop in 1996.  John had studied bookbinding in Europe and had learned the binding from Sun Evrard. This is the book we made with a leather spine and leather foredge and it  contains John's instructions on how to make the binding - mine has been well used!

A few years ago I did another 2 day workshop with John and Joy Tonkin in Brisbane and we made a Simplified binding with clean cut edges and exposed leather tapes.

 
Now to continue with the binding of the four books containing my father in law's story.  In my last post on bookbinding, I had sewn the signatures of four books onto ramieband tapes.  The next step was to glue the spine with PVA, trim the tapes and then fray them out and glue them down.  The back was gently rounded and readymade headbands were glued into place.

 The spine is then filled in between the tapes with tarlatan or muslin, and a layer of paper can be added too to get the spine smooth.

I cut the leather for the spine and pared the edges as thin as I could 

The spine pieces were glued at the sides to the bookblock and then the books were placed between working boards and clamped

The boards were then cut to measure and the spine edges sanded and bevelled to zero forming a curve to fit the book block.  The cover materials were prepared and glued onto the boards.  The leather spine edges on the bookblock were pared back and sanded to remove any glossy surface in the area to be glued.  The boards were glued along the spine edge to the bookblock and the partial first sheet of paper which had been torn back to approx 5 cm.  They were then put between boards and put in the press overnight.

As I had prepared the covers to have clean cut edges rather than turned in covers, the exposed edges were painted with black acrylic paint.  The inside of the boards were infilled with the torn off piece of the first sheet to create a smooth surface and the endpapers were tipped in and glued into place.  Finally the title was prepared and glued to the cover.



Cover to Cover

This book Rimbaud's Illuminations is one of three books that will be exhibited in 'Cover to Cover' held by the Moreton Bay Regional Council at the Bribie Island Seaside Museum from 4th October to 2nd December 2012.  The exhibition will be opened on October 6 at 11 am by Linda Douglas, who up until recently was the publisher and editor of the Australian Book Arts Journal.  Linda will also be giving a talk on artists books. 

The other two books on display are The Battle Within

and The River City

I've also had the good news that The River City (No 1) sold to a New York book collector and won't be coming home.

More Bookbinding

I've spent the morning sewing up a small edition of four books ready to be bound in a French Simplified binding.  The book is a story about the life of my father-in-law who is celebrating his 95th birthday.

In 2009 I bound a similar type of book written by my mother about her life.  The binding was a clean cut French simplified binding in pink and dark blue leather.

Revisiting 'The River City'

I've been working on a more traditional bookbinding version of The River City. 

I've been participating in The Australian Bookbinders Exhibitions since 2008 and my skills at producing a designer binding are slowly improving.

The first time I entered a book in 2007, I sent a very creative book which I thought I had bound extremely well, but it was rejected because it didn't have a 'proper' spine.

Since then I've managed to make the cut, and have been working hard on French Simplified bindings.  The binding I have used here is a Simplified binding with cover of Japanese paper and onlaid leather with a leather spine, leather headbands and onlaid leather title. 

I can't seem to get enthusiastic about rebinding a ready-made published book so every year I remake the content of one of my books into a binding suitable for this exhibition. 

I do enjoy trying to be more disciplined and skilled with making these traditionally bound books and trying to master the skills of working with leather.

The 2012 Australian Bookbinders Exhibition will be held in the Research Library of the Art Gallery of NSW from 31st October to 14th December 2012.